List

"In this stunning novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich tells a story of love, natural forces and the tragic impact of big business"--

The interwoven destinies of the people of Meridian will finally be determined in this stunning conclusion to New York Times bestselling author Rebecca Roanhorse’s Between Earth and Sky trilogy. 

Even the sea cannot stay calm before the storm. —Teek saying

Serapio, avatar of the Crow God Reborn and the newly crowned Carrion King, rules Tova. But his enemies gather both on distant shores and within his own city as the matrons of the clans scheme to destroy him. And deep in the alleys of the Maw, a new prophecy is whispered, this one from the Coyote God. It promises Serapio certain doom if its terrible dictates are not fulfilled.

Meanwhile, Xiala is thrust back amongst her people as war comes first to the island of Teek. With their way of life and their magic under threat, she is their last best hope. But the sea won’t talk to her the way it used to, and doubts riddle her mind. She will have to sacrifice the things that matter most to unleash her powers and become the queen they were promised.

And in the far northern wastelands, Naranpa, avatar of the Sun God, seeks a way to save Tova from the visions of fire that engulf her dreams. But another presence has begun stalking her nightmares, and the Jaguar God is on the hunt.

Nominated for the Nebula, Lambda, Locus, and Hugo Awards, winner of the Alex Award from the American Library Association and the Ignyte Award from Fiyah magazine, the Between Earth and Sky trilogy is amongst our most lauded modern fantasy series from The New York Times, Los Angeles Times, and USA TODAY bestselling author Rebecca Roanhorse.

An Instant New York Times Bestseller

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.

As Indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution ensures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.”

As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Robin Wall Kimmerer is donating her advance payments from this book as a reciprocal gift, back to the land, for land protection, restoration, and justice.

Named a Most Anticipated Book of 2025 by The Washington Post, Debutiful, San Francisco Chronicle, Los Angeles Times, and LitHub
Publishers Weekly Writer to Watch for Spring 2025

“Propulsive...a masterclass...a dazzling, fast-paced pressure-cooker journey about not letting others define who we are, but rather deciding that for ourselves.” —San Francisco Chronicle

A gripping literary debut about power and corruption, family, and facing the ghosts of the past.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside Tribal President Mack Beck, his childhood friend, Mitch runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love. In their struggle for control over Passage Rouge, the campaigns resort to bare-knuckle political gamesmanship, testing the limits of how far they will go—and what they will sacrifice—to win it all.

But when an accident claims the life of Mitch’s mentor, a power broker in the reservation’s political scene, the election slides into chaos and pits Mitch against the only family he has. As relationships strain to their breaking points and a peaceful protest threatens to become an all-consuming riot, Mitch and Layla must work together to stop the reservation’s descent into violence.

Thrilling and timely, Big Chief is an “unexpected, disturbingly funny” (The New York Times) and unforgettable story about the search for belonging—to an ancestral and spiritual home, to a family, and to a sovereign people at a moment of great historical importance.

NATIONAL BESTSELLER • SHIRLEY JACKSON AWARD NOMINEE FOR BEST EDITED ANTHOLOGY • BRAM STOKER AWARD NOMINEE FOR SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY • LOCUS AWARD FINALIST

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” 

“Never failed to surprise, delight, and shock.” —Nick Cutter, author of The Troop and Little Heaven

Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce K. Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

How a Mvskoke traditionalist leader forged a movement to resist the division of tribal lands and keep his people on the everlasting Medicine Way



Chitto Harjo ("Crazy Snake") had several names--Wilson Jones, Bill Jones, Bill Harjo, Bill Snake--and people called him many things: troublemaker, rebellion leader, uncivilized Indian, martyr, murderer. Many called him crazy for fighting against progress and for his commitment to traditions that they believed were outdated and dying out. Yet in the eyes of many Mvskokes and traditionalists of other nations, he was a hero, a defender of the old ways, a Native patriot, and a leader of the Medicine Way.



These traditionalists believed in the Mvskoke worldview, which has inspired the Mvskokes and other Southeastern peoples to carry on their traditions as they have done for hundreds of years. In this engaging account, historian Donald L. Fixico tells the story of the Mvskoke people and their fight for survival and unity amid enduring tensions between white "civilization" and traditional culture. A personal story that begins with Fixico attending a Green Corn Ceremony with his father and young son, this engrossing narrative integrates traditional knowledge with historical method to present an Indigenous perspective on Mvskoke and Native American history.

REESE'S BOOK CLUB PICK

Named one of the Best Nonfiction Books of the Year by Library Journal



"An unforgettable memoir about fighting for your home and your heart." --Reese Witherspoon (Reese's Book Club November '24 Pick)



From a fearless, internationally acclaimed activist comes an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest



We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nenquimo is a winner of TIME magazine's Earth Award, and MS. magazine named this book among the Most Anticipated Feminist Books of 2024.



Born into the Waorani tribe of Ecuador's Amazon rainforest--one of the last to be contacted by missionaries in the 1950s--Nemonte Nenquimo had a singular upbringing.



She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. At age fourteen, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened.



Two decades later, Nemonte has emerged as one of the most forceful voices in climate change activism. She has spearheaded the alliance of indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. Her message is as sharp as a spear--honed by her experiences battling loggers, miners, oil companies and missionaries.



In We Will Be Jaguars, she partners with her husband, Mitch Anderson, founder of Amazon Frontlines, digging into generations of oral history, uprooting centuries of conquest, hacking away at racist notions of indigenous peoples, and ultimately revealing a life story as rich, harsh, and vital as the Amazon rainforest herself.

*A Best Book of the Year by NPR and Esquire*

"A remarkable book." —Steve Martin

"An illumating and stereotype-busting history of Native Americans and comedy" (The Washington Post) from Kliph Nesteroff, “the human encyclopedia of comedy” (VICE).

It was one of the most reliable jokes in Charlie Hill’s stand-up routine: “My people are from Wisconsin. We used to be from New York. We had a little real estate problem.”

In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form.

The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show.

Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.”

Featuring dozens of original interviews and the exhaustive research that is Nesteroff’s trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series.

The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon.

Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed.

For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects.

Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

A darkly humorous thriller about the ghosts that haunt the temples of excess we call casinos, and the people caught in their high-stakes, low-odds web

For decades, a dark force has terrorized the Languille Lake reservation. Spoken of only in whispers as “the sandman,” he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation’s main attraction and source of revenue, leeching its patrons’ dreams and preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a midtwenties Ojibwe, seeks solace in the slot machine’s siren song. Here he falls afoul of the sandman, an encounter he barely escapes through the timely intervention of his cousins Alana and Cherie, who both work at the casino and are intimately aware of the sandman’s power. Meanwhile, Glenn Nielan, recently out of the closet and an aspiring documentarian, hopes to capture the faces of the Ojibwe land while experiencing the casino’s thrills. But he will learn that all who choose to play the sandman’s games are in danger of falling into his grasp.

Marion and Alana are members of the Bullhead clan, a family with ties to a sacred past and a fierce determination to ensure their future. Alana, with her sevenfire sight, is the only person to fully understand the danger the sandman poses. Aware of Marion’s occasional ability to navigate the spirit world, she enlists his aid in defeating this wraith. But the power and reach of the sandman go far beyond Alana’s worst fears. Soon she and Marion find themselves in a battle for their lives and for the souls of the reservation’s residents, both the living and the dead.

Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him.



The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every page of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah. Choctaw lore features a large pantheon of deities. These beings created the first people, taught them how to hunt, and warned them of impending danger. Their stories are not meant simply to entertain: each entity has a purpose in its behavior and a lesson to share--to those who take heed.



As a Choctaw citizen, with deep ties to Indian Territory and Oklahoma, Mihesuah grew up hearing the stories of her ancestors. In the tradition of Native storytelling, she spins tales that move back and forth fluidly across time. The ancient beings, we discover, followed the tribe from their original homelands in Mississippi and are now ever-present influences on tribal consciousness.



While some of the horrors told here are "real life" in nature, the art of fiction that Mihesuah employs reveals surprising outcomes or alternative histories. It turns out the things that scare us the most can lead to the answers we are seeking and even ensure our very survival.

 

A Chickasaw woman who can’t catch a break serves up a little white lie that snowballs into much more in this USA Today bestselling rom-com by critically acclaimed author Danica Nava.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

Accountant Ember thrives in corporate life—and her love life seems to be looking up as well: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

A photographic and narrative celebration of contemporary Native American life and cultures, alongside an in-depth examination of issues that Native people face, by celebrated photographer and storyteller Matika Wilbur of the Swinomish and Tulalip Tribes.

In 2012, Matika Wilbur sold everything in her Seattle apartment and set out on a Kickstarter-funded pursuit to visit, engage, and photograph people from what were then 562 federally recognized Native American Tribal Nations. Over the next decade, she traveled six hundred thousand miles across fifty states—from Seminole country (now known as the Everglades) to Inuit territory (now known as the Bering Sea)—to meet, interview, and photograph hundreds of Indigenous people. The body of work Wilbur created serves to counteract the one-dimensional and archaic stereotypes of Native people in mainstream media and offers justice to the richness, diversity, and lived experiences of Indian Country.

The culmination of this decade-long art and storytelling endeavor, Project 562 is a peerless, sweeping, and moving love letter to Indigenous Americans, containing hundreds of stunning portraits and compelling personal narratives of contemporary Native people—all photographed in clothing, poses, and locations of their choosing. Their narratives touch on personal and cultural identity as well as issues of media representation, sovereignty, faith, family, the protection of sacred sites, subsistence living, traditional knowledge-keeping, land stewardship, language preservation, advocacy, education, the arts, and more.

A vital contribution from an incomparable artist, Project 562 inspires, educates, and truly changes the way we see Native America.

NATIONAL BESTSELLER * INDIE NEXT PICK

"[An] entrancing new voice . . . Aaron John Curtis will be your new literary obsession." --Marion Winik, The Boston Globe

"An inspired novel by an author whose voice absolutely sizzles on the page." ―Nathan Hill, author of Wellness and The Nix

"With amazing dexterity, Aaron John Curtis's moving debut novel combines raucous humor with respect for ancestral traditions." ―Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois

"Chock-full of humor and grief, packed with intriguing family lore, and written with a tremendous amount of heart."―Kristen Arnett, author of Mostly Dead Things

There There meets All Fours in this irreverent coming-of-middle-age story about an Indigenous man's hunger for intimacy, healing, and a second chance.

Abe Jacobs is Kanien'kehá:ka from Ahkwesáhsne―or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen, Abe left the reservation where he was raised and never looked back. He met the love of his life, started writing poetry, and began an open marriage.

Now at forty-three, Abe is suffering from a rare disease―one his doctors in Miami believe will kill him. Running from his diagnosis and a marriage teetering on collapse, Abe returns to the Rez, where he's persuaded to undergo a healing at the hands of his Great Uncle Budge. But Budge―a wry, recovered alcoholic prone to wearing punk T-shirts―isn't all that convincing. And Abe's time off the Rez has made him a thorough skeptic.

To heal, Abe will undertake a revelatory journey, confronting the parts of himself he's hidden ever since he left home and wrestling with the imprint left by his once-passionate marriage.

Delivered with crackling wit and heart-wrenching tenderness, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and intimacy, and the ripple effects of history and culture.

"A novel of pure heart and mastery." ―Morgan Talty, bestselling author of Night of the Living Rez and Fire Exit

A Kirkus Editor's Pick * A Most Anticipated Book of 2025: Cowboys & Indians | Brit + Co | Debutiful

The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. The best horror novel of the year and one of the best books of 2025.

“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture

“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.